
Monumental Ensemble of Bussaco
Conjunto Monumental do Bussaco
Mata Nacional do Buçaco, Portugal
Mata do Buçaco Foundation
Fundação Mata do Buçaco
19th–20th centuries
Luigi Manini (scenographer and architect); architects: Nicola Bigaglia, Manuel Joaquim Norte Júnior, José Alexandre Soares, José Paulo dos Santos; tilework: Jorge Colaço; painters: António Ramalho, Veloso Salgado, Carlos Reis, João Vaz e Ernesto Condeixa; sculptors: António Augusto Gonçalves, Costa Mota, Simões de Almeida Sobrinho, João Machado; stonemasons: Bernardo António Figueiredo, João das Neves Machado, Manuel Francisco, António de Sousa Lemos, Manoel Cardoso, José Barata, José Fonseca, António Joaquim, Alberto Caetano, José Ferreira e Anacleto Garcia
1620 - the Barefoot Carmelite created a “Bos Sacrum” in a walled forest of 105 acres, on the Bussaco Mountain, north of Coimbra, supposed to represent “Mount Carmel” and the “Earthly Paradise”. Following the dissolution of the monasteries in 1834 the forest was abandoned. 1850 - plans followed to turn the ancient convent into a royal residence for Queen Maria Pia, with luxurious landscape intervention by Roda & Figli (Torino) taking place. Political circumstances interrupted the project that was later commisioned by her grandson King Charles with the construction of the iconic Neo-Manueline castle, from 1888 to 1907, under project of Luigi Manini, as an homage to the Portuguese Age Discovery and the Battle of Bussaco. 1917 it was transformed into the deluxe Bussaco Palace Hotel.
The Bussaco Park and the monastery were created by the Discalced Carmelites (1620–1834). From 1888 to 1930s a new ensemble is erected, with multiple buildings, either close to the former convent, or replacing the convent’s library, kitchen and dining room.
By mid-19th century the forest is revitalized associated to emergent rituals of tourism, journeys and leisure. The design of Buçaco Palace was commissioned by King Charles to Luigi Manini, scenographer and architect. Later on, Nicola Bigaglia, José Alexandre Soares and Norte Júnior also cooperated, namely in the Casa dos Embrechados, Casa dos Arcos, Casa dos Cedros and Casa dos Brasões. The final result reflects a fragmentary romanticist attitude, deeply marked by revivalism and multiple references to the Portuguese Discoveries.
Alexandre d'Almeida, Marta Simões "Monumental Ensemble of Bussaco" in "Sharing History", Museum With No Frontiers, 2026.
https://sharinghistory.museumwnf.org/database_item.php?id=monument;AWE;pt;17;en
Prepared by: Alexandre D'Almeida, Marta Simões
MWNF Working Number: PT 024
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