Aladdin, or The Magnificent Lamp: sketch of the set for act 1 or act 2
1822
National Library of France
France
Replete with movements and images inspired by the “East”, “Story ballets” were particularly popular in the 19th and early 20th centuries.
Théâtre Impérial du Châtelet. Aladdin and the magnificent lamp; the genies of the lamp (ballet).
1863
National Library of France
France
The impact on the Parisian public of “Eastern”-inspired ballets created waves of Orientalist-inspired creations throughout the fashion and art worlds.
Théâtre de l'Opéra. 'Aida'. Avenue of the sphinxes at the gates of Thebes (act 2 scene 2)
1880
National Library of France
France
Europe’s elite flocked to a dazzling new Cairo to enjoy the sumptuous palaces, Parisian gardens and the newly built Cairo Opera House on the banks of the Nile, where Verdi’s Aïda premiered.
1895-1897
National Library of France
France
Scheherazade, based on the central character from the Arabian Nights, was an exotic, timeless, evocative fantasy brimming with awe, sensuality and wonder.
Shéhérazade, a ballet by Michel Fokine. Stage sketch
1913
National Library of France
France
The inspiration for the ballet Scheherazade was the female storyteller of the Arabian Nights. Fokine’s “Eastern”-inspired ballet conveys the sensual aspects of the Orientalist fantasy in expressive movement.
Costume for Cleopatra in the Ballets Russes production of Cléopâtre, 1918
1918
Los Angeles County Museum of Art (LACMA)
Los Angeles, United States of America
As Romanticism emerged and brought exotic settings into vogue the “East” became a popular theme for many artists and musicians.