Encountering the East
Painting: Scenes of everyday life
Painters were taken in by the rich colours, of the people at the markets, the fabrics of house interiors, and the bright light of the Arab and Ottoman world.
Orientalism became a survey of the ethnography, topography and history of the Arab and Ottoman world including Spain. In the cities, artists traced the idiosyncrasies of the architecture, the markets, street life, as well as the trades and professions of city dwellers. These paintings brought to the European people different images of life. In addition, these artists were responsible for some of the stereotypes that still persist in the West, in particular, the link between Orientalism and exoticism, the role of men, and the social status of women. European artists sought to develop imagery that would capture what they believed to be characteristic of the cities and the people of the regions they visited. The desired effect is that of “transporting” the viewer into another culture. This exhibition has some very good examples of this type of subject matter and shows how, for artists, these sources of inspiration extended from the Balkans to North Africa and Arabia.
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Encountering the East

Overview
Painting: Scenes of everyday life
Painting: Landscapes
Orientalist applied arts
Milos Obrenovic, prince of Serbia

1824

The National Museum, Belgrade, Serbia

Pavel Djurkovic

Oil on canvas

This portrait of Miloš Obrenović Prince of Serbia (1815–39; 1858–60) shows the extension and importance of Ottoman art. Serbia, under the rule of Obrenović was part of the Ottoman Empire, but became an autonomous duchy within the empire. The prince is shown dressed in “Oriental” costume and wears a typical headdress – a turban.

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In this Exhibition
About the Exhibition
Collecting
Encountering the East
Encountering the West
The concept of revivals
Photography